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Thread: Worst Art Restoration Effort Ever

  1. #1
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    Worst Art Restoration Effort Ever

    An elderly parishioner in Spain apparently took it upon herself to restore a decaying fresco with disastrous results.

    The once-dignified portrait now resembles a crayon sketch of a very hairy monkey in an ill-fitting tunic.
    http://www.bbc.co.uk/news/world-europe-19349921

    How does that saying go about the road to hell being paved with good intentions?

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    Oh my. Too bad they didn't do something to conserve it before she got upset!

    Art restoration, in general, can be very controversial. Lots of folks got upset about the restoration of the Sistine Chapel. Too bright!

    Architcture is also problematic. A fellow named Viollet-le-Duc went through France like a dose of salts in the 19th century, "restoring" many major monuments to his idea of how they should have looked, but in fact never did. He's also responsible for this abomination, which mostly demonstrates his complete lack of understanding of how trebs actually work. Hmm, that reminds me: time for my annual thread!
    Cum catapultae proscriptae erunt tum soli proscript catapultas habebunt.

  3. #3
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    Quote Originally Posted by Trebuchet View Post
    He's also responsible for this abomination, which mostly demonstrates his complete lack of understanding of how trebs actually work.
    Could I get a hint?

  4. #4
    Quote Originally Posted by Extravoice View Post
    An elderly parishioner in Spain apparently took it upon herself to restore a decaying fresco with disastrous results.
    It reminds me of Mr. Bean's attempt to "restore" an old book. Not safe if you are drinking coffee though.
    As above, so below

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    I don't know Art, but . . . man, that is awful!

  6. #6
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    It's terribly sickening and sad, but also hilariously misguided.oh well...

  7. #7
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    What amazes me most is: how did she get access to the fresco long enough to do what she did? I mean I believe that the fresco is on the wall of a church. It isn't exactly low profile.
    Solfe

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    'That was tops! Who's not good at math? I was all, "Four!"' - Finn, Adventure Time.

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    I can hear Higgins, from Magnum P.I. shouting, "Oh, my GOD!!!"

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    Quote Originally Posted by Moose View Post
    Could I get a hint?
    The sling seems to have some sort of complicated release thing. It won't release regardless because of overly enveloping the shot. There are some blocks on struts out on the back that seem to have no purpose whatsoever.
    Cum catapultae proscriptae erunt tum soli proscript catapultas habebunt.

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    Quote Originally Posted by Trebuchet View Post
    The sling seems to have some sort of complicated release thing. It won't release regardless because of overly enveloping the shot. There are some blocks on struts out on the back that seem to have no purpose whatsoever.
    Hey, I was a mech-e for close to thirty years. I can do the math, but math wasn't my strong suit. What I excelled at was predicting failure points and designing equipment which didn't fail. I was pretty good at cutting out the extraneous redundancies, too, as mistakes there cost lives as well.

    Back to trebuchets. It drops a weight, which is linear. The weight follows a mostly linear profile, but is translated by the arm into circular/orbital. The arm translates the force into a combination of linear, circular, and elliptical forces by the nature of the geometry. But the nature of the geometry between the circular arm fulcrum and the payload isn't circular, or even elliptical. It's hyperbolic.

    Given that, the most efficient relation between the arm and the cord which propels your target isn't at the tip of an arm, but along the tangential line of an hyperboloid, i.e. a cam.

    That's just my gut sense, but my gut tells me this also is a simplification of the action. I'm not capable enough of reducing the equations to their bases, but if I were, I see no impediment to launching a projectile for several miles.

    If you want to stick to wood, instead of carbon fiber, I think we're effectively limited to more than a mile, but the limfac keeps pointing at the lanyard used to accelerate the payload, not the trebuchet mechanism itself.

    In short, built it big enough, even with wood alone, and all you would need is a stout enough cable to launch whatever you want into the next county.

    For the next country, if not orbit, things grow increasingly complex, and it appears as if rockets are the only answer. The forces for trebuchets become ridiculously out to lunch.

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    Bottom line, if you'd like to launch a VW into suborbital path, all we need is a very tall building capable of withstanding a good deal of force, and a great deal of force not normally associated with a tall building.

    I repeat "suborbital." I can't make it work from the Dubai Tower. It's too fragile, unless you want to orbit a dead frog.

  12. #12
    Quote Originally Posted by DoggerDan View Post
    It's too fragile, unless you want to orbit a frog, and dead.
    You wouldn't want to orbit a live frog. It might croak.
    As above, so below

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    Quote Originally Posted by Jens View Post
    You wouldn't want to orbit a live frog. It might croak.
    Ha. Conceptually, it's a point well worth consideration. Please give further consideration.

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    Quote Originally Posted by Extravoice View Post
    An elderly parishioner in Spain apparently took it upon herself to restore a decaying fresco with disastrous results.



    http://www.bbc.co.uk/news/world-europe-19349921

    How does that saying go about the road to hell being paved with good intentions?
    I liked the line:

    The woman appears to have realised she was out of her depth and contacted Juan Maria Ojeda, the city councillor in charge of cultural affairs.
    Well, I'm glad she realized she was out of her depth. She was just a bit slow realizing that, though.

    I say there is an invisible elf in my backyard. How do you prove that I am wrong?

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    They are going to try and restore the painting. At the bottom of the article in this Spanish link, there is a nice slidey device to compare the before and after images of the 'restoration'. Fortunately, nobody considers the painting to be of much artistic value.

  16. #16
    Quote Originally Posted by Jens View Post
    It reminds me of Mr. Bean's attempt to "restore" an old book. Not safe if you are drinking coffee though.
    Or, more closely related, his attempt to restore a painting (first Bean movie). Actually, that one ended up suspiciously close to what happened in this church.

  17. #17
    Too bright!
    That's because we are used to seeing old art with faded colours, darkened veneer, or both.

    I've seen Da Vinci paintings unrestored (darkened veneer) and restored (new veneer, nothing changed to the paint itself). The colours used were bright and alive. It's only by renewing the veneer that you see the painting as it was actually painted.
    Last edited by Nicolas; 2012-Aug-24 at 07:33 AM. Reason: paint without t hurts the meaning of this post

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    Quote Originally Posted by Nicolas View Post
    I've seen Da Vinci paintings unrestored (darkened veneer) and restored (new veneer, nothing changed to the pain itself).
    O come on, you didn't do that on purpose? :)

    ETA: The last paragraph of the article in the OP:
    Our correspondent says that to make matters worse, the local centre that works to preserve artworks had just received a donation from the painter's granddaughter which they had planned to use to restore the original fresco.

  19. #19
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    Quote Originally Posted by Nicolas View Post
    Quote Originally Posted by Jens View Post
    It reminds me of Mr. Bean's attempt to "restore" an old book. Not safe if you are drinking coffee though.
    Or, more closely related, his attempt to restore a painting (first Bean movie). Actually, that one ended up suspiciously close to what happened in this church.
    The movie was the first thing I thought of when I read this story, too - I had forgotten about his attempt to restore the book in the TV series.

    And just to tie the whole thing together, the Latin lyrics to the TV show's theme song begin with the words, "Ecce home qui est faba..."

  20. #20
    I think she must have been heavily influenced by Francis Bacon.

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    Quote Originally Posted by SeanF View Post
    The movie was the first thing I thought of when I read this story, too...
    Same here... If someone doesn't know what we are refering to, it's Whistler's Mother(video). (picture)

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    Quote Originally Posted by Trebuchet View Post
    The sling seems to have some sort of complicated release thing. It won't release regardless because of overly enveloping the shot. There are some blocks on struts out on the back that seem to have no purpose whatsoever.
    When the trebuchet is fully wound, those blocks would appear to be vaguely even to where the counterbalance would be. Maybe he was imagining some sort of peasant-proof stop? "Crank this windlass until the weight reaches the stops. No further."

    I did suspect you'd bring up the sling, and I see what you mean. I wonder if that dark bit along the axis is meant to be a slit, and if the ropes at P are intended to spread the sling to free the shot?
    Last edited by Moose; 2012-Aug-23 at 01:30 PM.

  23. #23
    Quote Originally Posted by Trebuchet View Post
    The sling seems to have some sort of complicated release thing. It won't release regardless because of overly enveloping the shot. There are some blocks on struts out on the back that seem to have no purpose whatsoever.
    It seems to me that the release mechanism is intended to release by opening the sling pouch along the bottom.
    Like it was based on a verbal description which ended up at someone who has no knowledge of slings and had to invent something from scratch.
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  24. #24
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    Quote Originally Posted by HenrikOlsen View Post
    It seems to me that the release mechanism is intended to release by opening the sling pouch along the bottom.
    Like it was based on a verbal description which ended up at someone who has no knowledge of slings and had to invent something from scratch.
    Yes, that's pretty much my feeling on the whole machine. Sadly, Violet-le-Duc exercised the same sort of judgement on historic sites all over France.
    Cum catapultae proscriptae erunt tum soli proscript catapultas habebunt.

  25. #25
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    The poor old lady who has admitted that she did the restauration has declared before the camera that she hasn't finished yet, making it even worse:

    "Con toda mi buena voluntad, he hecho una cosa que creía que estaba bien. Además, todavía no está terminada", decía la mujer, sin ser consciente de que ese comentario daría lugar aún a más risas y chascarrillos en la red.
    Link

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    Which reminds me, if we really want to restore ancient art, such as roman and greek statues/sculpture, don't we need to paint them?
    Et tu BAUT? Quantum mutatus ab illo.

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    Quote Originally Posted by Ara Pacis View Post
    Which reminds me, if we really want to restore ancient art, such as roman and greek statues/sculpture, don't we need to paint them?
    Which pretty much highlights the difference between restoration and conservation. If you want to restore them to their original appearance, by all means paint them. And put the missing limbs back on. Except, you don't know what the originals were like so you're better off just preventing further deterioration. "Restoring" stuff by just making up what they should have looked like is a bad thing. On the other hand, restoring Michelangelo's Pieta after it was attacked by a nut with a hammer was appropriate. We knew what it had looked like.

    In the present case, there appears to be a pretty good record of what the fresco looked like before the lady "restored" it. There's no point in leaving it the way she left it so they may as well restore it properly.
    [/I]
    Cum catapultae proscriptae erunt tum soli proscript catapultas habebunt.

  28. #28
    Quote Originally Posted by grapes View Post
    O come on, you didn't do that on purpose? :)
    Da Vinci's paintings are so ugly, they hurt the eyes.

    I missed a "t" somewhere...

  29. #29
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    Makes you rather sad for the original artist.
    "It's ruined! Well, it was lousy to begin with!"
    "Yeah, let's be glad she didn't choose to 'restore' something good!"

  30. #30
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    I'm very thankful they managed to capture pictures prior to the "restoration."

    On another note, I'm sure the lady who attempted the restoration is under a great deal of fire. Yes, she's under fire. She goofed, big time, so let's cut her some slack. We have the original pictures.

    She meant well.

    Let's move on, ok?

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